作者：周晴;

机构：山东师范大学文学院;济宁学院中文系;

中文关键词：《绿野仙踪》;;火龙真人;;提线人;;考论

英文关键词：The Wizard of Oz;the Taoist of Fire Dragon(Huolong Zhenren);control central status;test and treatise

中文摘要：从唐诗到《绿野仙踪》之前的明清小说,火龙真人这一文学形象,经历数百年的发展,虽渐以形成、具备了诸如度人成仙并使之救助人世等主要特点,但总体上并不够引人注目,距离一成功人物形象颇为遥远。至李百川《绿野仙踪》出来,第一次给这一人物较全面的设定与描写,给他以全书故事发展提线人与掌控者的地位,才使这一形象有了质的变化,生动可感,内涵丰富。其在全书作为叙事之主脑与纲领人物的地位与作用,有似于《西游记》中观音菩萨和《水浒传》中九天玄女,并实际是模拟《西游记》中观音菩萨而有所创新的产物。

英文摘要：From the Tang poetry to the Ming and Qing Dynasties novels before the publication of The Wizard of Oz,the figure of the Taoist of Fire Dragon(Huolong Zhenren) had still a long away to go to become a successful character,despite the fact that it had been developed for several centuries,acquiring the characteristics of helping all flesh become immortal and of giving a hand to the world at large.Only after the coming out of Li Baichuan's The Wizard of Oz,was it described comprehensively for the first time and was it given the control status of the entire story line.That is to say,it had undergone great qualitative changes and become a figure with vivid and richer connotation.The Taoist of Fire Dragon's controlling central status and the guiding principle function were like Avalokitesvara(the Goddess of Mercy) in A Journey to the West and the Empyrean Fairy(Jiutian Xuannu) in Water Margin.And as a matter of fact,it was indeed modeled on Avalokitesvara(the Goddess of Mercy) in A Journey to the West in an innovative way.

[中文刊名]：山东师范大学学报(人文社会科学版) [出版日期]：2009-03-25 [CN]：37-1066/C [ISSN]：1001-5973

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