作者：郑立君;

机构：杭州师范大学美术学院;

中文关键词：汉代画像石;;彩绘;;造型特点;;艺术思想;;文化内涵

英文关键词：Han-Dynasty portrayal stones;color painting;modeling characteristics;ideas;cultural connotation

中文摘要：彩绘即敷色是汉代画像石工艺设计的最后一道工序。目前在河南、陕西等省的不同地区出土的不少汉代画像石上零星地残留有红、黑、黄、绿、白等彩绘痕迹。彩绘画像石大多被设计在墓室的墓门、门扉、门槛、横梁、立柱等处。在汉代画像石上进行彩绘,不是单一的为了装饰画像石、美化墓室建筑,而是有着辟邪、沟通神灵、象征吉祥、喜庆等功能。汉代画像石的彩绘色相、颜料配置等与同时期的墓室壁画、彩绘陶俑、彩绘铜镜等上的色相、颜料的成分构成等是非常相似的。汉代画像石的彩绘对后世民间美术色彩是有影响的。

英文摘要：Color-painting is the last procedure of Han-Dynasty portrayal stone design.Some Han-Dynasty portrayal stones excavated now in Henan,Shaanxi and other provinces still have remains of red,black,yellow,green,and white color painting.Color portrayal stones are mostly located in the doors,thresholds,beams and columns of the tombs.Color painting on the Han-Dynasty portrayal stones is not only for the decoration of the stone and beautification of the tomb,but also for the functions of avoiding the devils,communicating with the gods,symbolizing auspiciousness and celebration.The color image and pigment allocation of the Han-Dynasty portrayal stones are very similar to those of tomb wall paintings,color-painting pottery figurines and color-painting bronze mirrors.The color-painting on the Han-Dynasty portrayal stones exert influence on later folk art colors.

[中文刊名]：艺术百家 [出版日期]：2009-11-15 [CN]：32-1092/J [ISSN]：1003-9104

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