作者：杨慧林;

机构：中国人民大学文学院、“宗教学理论研究基地” 100872

中文关键词：符号诠释;;基督教;;《达·芬奇密码》;;圣杯

英文关键词：

中文摘要：小说《达·芬奇密码》自出版以来,已经成为世界性的畅销书,也引起文学研究者、基督教神学家和宗教史学家的广泛关注。本文以意大利学者艾柯的两部类似作品为参照,对这种“话语生产者的自我建构”予以考察;并试图以《圣经》叙述与西方艺术的相关诠释为据,回到《达·芬奇密码》所借助的象征符号系统,解析其中的演变、误读以及意义延伸,从而揭示“精神表达”与象征符号之间的张力。

英文摘要：Ever since its publication, the novel The Da Vinci Code has been a world best-seller and attracted the attention of literary critics, Christian theologians and religious historians. This paper takes two similar works by the Italian writer Eco as its framework of reference and tries to investigate into the “self-construction of the discourse producer.” Based on the biblical narrative and relevant interpretations in western arts, it attempts to return to the symbolic system that made the novel The Da Vinci Code possible, analyses the changes, misreading and extension of meanings, and finally reveals the tension between the “spiritual expression” and the symbolic codes.

[中文刊名]：文艺研究 [出版日期]：2005-12-25 [CN]：11-1672/J [ISSN]：0257-5876

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