作者：柏红秀,李昌集

机构：扬州大学人文学院 ,徐州师范大学文学院

中文关键词：泼寒胡戏;;苏幕遮;;浑脱;;戏弄

英文关键词：Po-han Singing-and-Dancing , Su-mu-zhe, simple and vigorous style, making-fun

中文摘要：泼寒胡戏 ,指西域民族冬季节令中的歌舞表演。文献所载 ,南朝刘宋时传入宫廷 ;北周宫廷中以胡人表演之 ,是为宫廷中的娱乐项目之一。唐初 ,泼寒胡戏流行于宫廷、民间 ,开元年间被禁。被禁之原因在其与中华礼乐文化传统相悖。泼寒胡戏遭禁后 ,一些歌曲舞蹈形式从中剥离 ,为唐代歌曲、舞曲、大曲、曲子辞、戏弄等诸多音乐文艺样式所汲取。泼寒胡戏在中国的衍流是“胡乐入华”的一个典型 ,说明胡乐入华后很难完整地保留原生样态 ,与华乐相结合而融入华乐是胡乐入华后的最终归宿

英文摘要：Po-han Singing-and-Dancing was a national wintry recreational performance in the Western Areas. It was chronicled that this kind of musical drama came to the Chinese court of Northern Zhou in the Age Liu-Song of the Southern Dynasties, and from then on became an item of recreational activities in the court. Po-han Singing-and-Dancing became prevalent both in the court and in the populace in Early Tang, and was forbidden to display in the Age Kaiyuan of Emperor Xuanzong. The reason of banishing it lay in its running counter with the traditional Chinese ritual and musical system. Although Po-han Singing-and-Dancing was forbidden,some forms of western songs and dances were stripped off it and assimilated by the songs, dance music, magnificent music, musical drama , making-fun and etc. in the Tang Dynasty. The variation of Po-han Singing-and-Dancing in China is a typical model of foreign music transmitted to China, which has been merged with Chinese music.

[中文刊名]：文学遗产 [出版日期]：2004-05-20 [CN]：11-1009/I [ISSN]：0257-5914

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