作者：王仁湘;

机构：中国社会科学院考古研究所;

中文关键词：仰韶文化;;起源;;西来说

英文关键词：Yangshao culture origin theory of western diffusion

中文摘要：<正> 中国考古学上仰韶文化的确立,已经有80多年的历史。仰韶文化的研究不仅成为中国考古学的中心课题,也是一些考古学家治学立业的基础。仰韶文化研究所取得的成就,我们可以列举出许多,这是20世纪中国史前考古灿烂的篇章。可以说,没有仰韶文化的研究,也就没有中国史前考古的今天。当然出现在学者们笔下的纷争也不算少,学术上也留下一些没能完全解决的世纪难题。关于仰韶文化来源的研究就是突出的难

英文摘要：The origin of the Yangshao culture has been studied for eighty years, but neitherWestern scholars' theory of western diffusion nor Chinese scholars' indigenous and pluralistic concepts have solved this problem. The theory of western diffusion believes that the Yangshao culture was concerned with cultural spread from abroad. It is based upon the hypothesis that the techniques of painted pottery originated in the Middle East. The indigenous concept has significance only for denying the theory of western diffusion but has not solved the essential problem. The pluralistic notion is the con-cretization of the indigenous concept. It holds that a number of cultural sources, such as the Laoguantai, Lijiacun, Cishan and Peiligang cultures, gave birth to the Yangshao culture that varied in different regions. Actually it takes the Yangshao as an entity varying not only in source but also in stream. The most realistic is the multi-stream theory, which identifies the main stream and then clarifies other sources and streams as well as their relationship. It believes that the Shanxi and Henan Yangshao differs from the Guanzhong Yangshao in origination and that its source must have been the Peiligang culture or other contemporary cultures. The Yangshao culture in the Guanzhong region and its vicinity must have originated in the Baijiacun (Laoguantai/ Dadiwan) culture in the broad sense. The most direct source of the Yangshao culture was at the beginning believed to be the Lower Beishouling culture, and then to be the Lingkou culture. So far, no true answer has been found to the problem of the Yangshao's origin.

[中文刊名]：考古 [出版日期]：2003-06-25 [CN]：11-1208 [ISSN]：0453-2899

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