作者：邱忠鸣;

机构： 北京服装学院美术系,

中文关键词：曹仲达;;曹家样;;师承;;风格史;;厚背景研究法

英文关键词：Cao Zhongda;;Cao family style;;teacher-student lines of transmission;;history of style;;background research

中文摘要：本文重新研究曹仲达与“曹家样”,考订了曹氏的生卒年及其可考的生平,认为他有着由南(朝)入北(朝)的经历。本文从画史所载曹氏师承入手,发现代表南梁新画风的张僧繇和来自中亚西域的塞特(壮)勤是其师承的重要来源,从而进一步探讨了“曹家样”的形成问题,认为“曹家样”是南、北二源以及其他复杂的社会、宗教、文化身份认同等因素共同作用的结果。本文还对长时段、大范围内相关的图像遗存进行考察,重新勾勒了“曹家样”的面貌。在对这一具体问题研究的基础上,作者提倡在后现代之后风格史研究的一种可能与方向——厚背景研究法。

英文摘要：This article presents a re-examination of Cao Zhongda and the‘Cao family style’. The author examines the dates of Cao's birth and death and those aspects of his life which are known,demonstrating that Zhang's career represented a shift from the Southern Dynasties to the Northern Dynasties.The author examines the line of transmission from Cao's teachers down on through his students as revealed in histories of painting,revealing his discovery that he studied the new painting style of the Southern Liang painters Zhang Sengyou and the Scythian(Saite)[Zhuang] Qin from Central Asia.The author then examination the formation of the‘Cao style’and concludes that it had both southern and northern artistic sources,as well as encompassing different elements drawn from Zhang's complex social,religious and cultural status.The author examines related images from a long time span and a broad frame of reference to re-create the Cao style.On the basis of his concrete research,the author then suggests the adoption of post-modern research techniques related to the study of style.

[中文刊名]：故宫博物院院刊 [出版日期]：2006-09-30 [CN]：11-1202/G2 [ISSN]：0452-7402

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