作者：黄小峰;

机构：中央美术学院美术史系 博士生

中文关键词：李嵩;;苏汉臣;;货郎图;;货郎调;;宫廷节令画;;上元节

英文关键词：Li Song;;Su Hanchen;;Portrait of the Gift Pedlar(Huolang tu);;Song of the Gift Pedlar(Huolang diao);;Lantern Festival

中文摘要：研究者一般认为,南宋李嵩的《货郎图》是当时城乡之中四处活动的货郎小贩的写照,反映出宋代社会物质与经济生活的繁荣。但是如果与存世其他绘画作品中的“货郎”形象对比来看,《货郎图》中的“货郎”与现实生活中货郎的形象有不小的距离。本文试图通过另一种解读,将明代宫廷《货郎图》与南宋《货郎图》作为一个连续性的画题,论证《货郎图》题材实际上是宫廷元宵时节的节令绘画,以政府组织的元宵大型庆典中“货郎”杂扮表演为蓝本,是特定时间与空间的绘画,而非现实风俗的简单再现。本文最后对一些具体图像加以解读,尝试从图画与当时具体社会情境之间的关系来重新认识李嵩的杰作。

英文摘要：Most scholars believe that the painting titled Portrait of the Gift Pedlar(Huolang tu)was a work by the Southern Song Dynasty artist Li Song which serves as a portrait of the life of an itinerant pedlar who travelled between towns and the countryside,reflecting the wealth of consumer items and economic life in Song society.Yet the pedlar depicted in this work was quite different from the pedlars depicted in other works of this genre.The author undertakes a reading of this painting to explain the continuity of the theme from the Southern Song through to the Ming Dynasty and demonstrates that the genre was a form of 'festival painting'(jieling-huihua)that celebrated the advent of the Lantern Festival(15th of the 1st lunar month)at court.The 'pedlar' served as a model for the character of the 'pedlar' that was enacted at the court celebrations that coincided with the Lantern Festival,and so these 'pedlars' are an accurate recording of this carnival character from the specific time and place where they performed,and were not a simple reflection of the folk customs of their period.The article finally looks at the concrete details of the images presented in Li Song's masterpiece,in order to explain their actual relationship to the specific social context that gave rise to the work.

[中文刊名]：故宫博物院院刊 [出版日期]：2007-03-30 [CN]：11-1202/G2 [ISSN]：0452-7402

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