作者：吴新;

机构： 燕山大学艺术学院,

中文关键词：飞天;;石窟;;民族性

英文关键词：Flying Apsaras,Grottoes,Nationality

中文摘要：飞天是指石窟中佛龛上楣奏乐的"歌舞"伎乐神像,或是窟顶的伎乐神佛,以及梳发作蓬起状,手托摩尼宝珠或是不托宝珠的人物形象。一般在主要造像的上面,或在龛楣,或在窟顶上,或在门楣上,或在明窗上,作飞舞的形状。从飞天进入中土后的发展历程可以看出,以敦煌飞天为代表的飞天艺术,是以民族文化传统为基础,吸收印度飞天的优点,融合西域飞天样式,不断发展创造出来的。飞天柔美的艺术特征,与民族精神、审美理想等共同构成了其艺术发展的基础。

英文摘要：Flying Apsaras are the singing and dancing sacred images on the top of the shrines to Buddha can in the Grottoes,or the musician sacred images on the ceiling of the Grottoes,and also the images whose hairs are fluffy,with a Manichean pearl on the hand or not.Generally,Flying Apsaras are flying upon the major image,on the top of the shrines to Buddha can,on the ceiling of the Grottoes,on the door headers or on the windows.From the progress after Flying Apsaras came in china,we can see that:the art of Flying Apsaras,Dunhuang as a representative,is based on the tradition of national culture,absorbed the virtue of Flying Apsaras in India and blended the style of the Flying Apsaras in the Western Regions.The foundation of the art are their grace as a character,the spirit and the aesthetic ideal of the nationality.

[中文刊名]：雕塑 [出版日期]：2007-10-15 [CN]：11-3579/J [ISSN]：1007-2144

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