作者：罗世平;

机构：

中文关键词：

英文关键词：

中文摘要：<正> 一 1991年9月,北京市海淀区八里庄发现了一座唐开成三年(838年)的墓葬,墓主人为幽州节度判官兼殿中侍御史王公淑及夫人吴氏。墓室中因北壁留存的一幅通壁大画《牡丹芦雁图》而受到学术界的广泛关注。这是继西安郊区梁元翰墓西壁六扇云鹤图屏风、高克从墓西壁翎毛鸽子、杨玄略墓西壁

英文摘要：This large painting of peony,reed and goose was found in a Tang tomb dated the 3rd year of the Kaicheng reign period (838)excavated at Balizhuang in the western suburbs of Beijing in September of 1991. The present essay,based on an examination of its configuration, figures and techniques, compares the painting with other flower-bird mural paintings contained in other Tang Tombs at Xi'an and Turfan, and with a Tang dynasty artist Bian Luan's style as recorded in literal data. The author discerns in the mural an influence from Bian Luan's flower-bird painting. He also discusses,from the perspective of fashion,on the social psychology responsible for the motifs' entrance into contemporary poems and paintings, and their further entrance into the after world with all their load of social fashion and symbolism of familial prosperity.

[中文刊名]：文物 [出版日期]：1996-08-15 [CN]：11-1532/K [ISSN]：0511-4772

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