作者：费泳;

机构：南京艺术学院;

中文关键词：佛像;;服饰;;敷搭双肩下垂式;;钩纽式

英文关键词：Buddhist Statue Garments ‘Fudashuangjian xiachui’ Style ‘Gouniu’ Style

中文摘要：中土佛像在经历了"褒衣博带式"佛衣一统南北的局面后,约在南北朝晚期,出现了向印度样式回归的趋势,这种回归不同于简单的引进,而是基于律典,将佛衣民族样式与外来样式相互交融的产物。"敷搭双肩下垂式"与"钩纽式"佛衣,即是继"褒衣博带式"佛衣之后,兴起于东魏、北齐境内的新型佛衣样式,呈跨地域传播的态势,影响深远。本文依据造像实物,联系佛教律典规制及相关文献,对这两款佛衣的基本披着方式、演化类型及大规模兴起的成因予以揭示。

英文摘要：After the style of Chinese Buddha statue was dominated overwhelmingly by the ‘baoyi bodai’ clothes,it returned to the Indian style during the Late Northern and Southern Dynasties.This trend was not a simple importation;rather it was the result of interaction between local ethnic and foreign styles based on the understanding of Buddhist dogma documents.The ‘Fudashuangjian xiachui’ and ‘gouniu’ styles were such new fashions of Buddha clothes following the ‘baoyi-bodai’ style.These styles were first popularized within the territory of the Eastern Wei and Northern Qi Dynasties and generated far-reaching influences when they were spread inter-regionally.This paper tries to shed lights on the ways of dressing,chronological change,and reasons of large-scale popularization of these two styles.

[中文刊名]：考古与文物 [出版日期]：2010-10-15 [CN]：61-1010/K [ISSN]：1000-7830

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