作者：范丽娜;

机构：清华大学美术学院艺术史论系;

中文关键词：宝梵寺;;明代壁画;;净土图像;;传法图像;;护法图像

英文关键词：Pengxi County;Baofan Temple;the murals of the Ming Dynasty;the image of disseminating the Buddhadharma;the image of protecting the Buddhadharma

中文摘要：本稿上承宝梵寺壁画罗汉图像考察,在逐一分析其他人物造型和属性的基础上,提出了关于壁画图像构成的总体认识。认为大雄宝殿北壁西侧药师经变,连同东侧对应位置已缺失的一铺壁画,构成净土图像系统,代表佛教修行者和供养人所祈求和将来往生的世界。禅宗初祖达摩、弥勒化身布袋和尚分别配置在两侧壁诸罗汉之首,反映了禅宗传灯思想与罗汉传法思想混同,三者构成传法图像系统。四天王与二十天人组成二十四护法诸天,形成环廓之势。净土、传法、护法三部分图像有序组合,构成以传法思想为主导的图像体系。发愿文则反映世俗捐资者不重视佛教教理,而追求现实利益的心态。

英文摘要：As the continuation of An Investigation of The Arhat Images on The Ming Murals of Baofan Temple Pemgxi County(Fan Lina.Palace Museum Journal [J],No.4,2011 All of Number 156:036-070.),this paper makes an overall introduction of the composition of the images by contrastive analysis of the figures and characters from other sources,claiming that both the illustration of Bhaisajyaguru on the west of Mahavira Palace's main wall and the missing painting corresponding to it on the east are integrated into the picture system of Pureland——the Afterlife Paradise which Buddhists and supporters pray for.In addition,Dharma and Pu-tai Maitreya(Cloth-bag Monk) who are respectively sitting ahead of other arhats drawn on either sidewall represent the blend of the thought of carrying forward Buddhadharma and the Zen Buddhism of transmitting the Lamp.They together form the image system of disseminating the dharma.Secondly,The 24 deva made up of Caturmaharajika-deva in four corners of the temple and other deva on tops of the paintings constitute the Buddaharma-protectors surrounding the whole paintings.In conclusion,the whole image system with preaching Buddhadarma as the principal idea consists of the Pureland,transmission of the dharma and protection of the dharma.Lastly,the content of the Fayuanwen is reflection of the Buddhist sponsors' neglect of the teachings of Buddhism,but seeking for the realistic interests.

[中文刊名]：故宫博物院院刊 [出版日期]：2011-09-30 [CN]：11-1202/G2 [ISSN]：0452-7402

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