作者：李文儒;

机构：故宫博物院;

中文关键词：紫禁城;;故宫;;故宫博物院;;符号;;君主文化;;民主文化

英文关键词：The Forbidden City;The Imperial Palace;The Palace Museum;symbols;the monarchical culture;the democratic culture

中文摘要：皇宫转型为博物馆,是社会变革的显著标志。从辛亥革命前的皇宫紫禁城到1912年至1925年间的故宫,再到1925年以后的故宫博物院,同一场所不同名称的变化,或者视为不同名称对同一对象的所指,包含了丰富的历史信息。"紫禁城"、"故宫"、"故宫博物院"因而成为三个意象鲜明的历史"符号",并启发我们在符号学的意义上探讨符号、符号与符号之间所蕴含的历史形态与历史心态。作为民族民主革命的辛亥革命终结了延续数千年之久的君主专制。对于将君主文化扭转为民主文化的公共文化机构故宫博物院来说,故宫文化的民主化转型还在继续。

英文摘要：The name and function changes from the once Forbidden City(prior to The Xinhai Revolution in 1911) into the Imperial Palace(1912 to 1925) and then into the Palace Museum(after 1925) symbolize the remarkable social transformation in Chinese history.It is of great significance that the place remains what it used to be,but its name is changed;or else,any different names refer to the same place.The three names of The Forbidden City,The Imperial Palace and The Palace Museum become the symbols of the history and society respectively,enlightening the analysis of their semiotic meanings regarding symbols and what historical state and mentality are implied between them.The autocratic monarchy which had lasted for thousands of years in Chinese history was ended by the national democratic revolution of The Xinhai Revolution in 1911.The Palace Museum nowadays working as a public cultural institute that has ever played a critical role in ending the monarchical culture but starting the democratic culture is keeping shouldering the mission.

[中文刊名]：故宫博物院院刊 [出版日期]：2011-11-30 [CN]：11-1202/G2 [ISSN]：0452-7402

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