作者：王会莹

机构：东南大学艺术学系

中文关键词：原始文化;;良渚文化;;神人兽面纹;;西王母

英文关键词：ancient culture;LiangChu culture;god with animal’s face;XiWangMu’ image

中文摘要：本文通过良渚文化大玉琮上的神人兽面纹与西王母神话形象的比较,结合考古学、神话学、历史文献等相关资料进行论证,得出良渚文化大玉琮上的神人兽面纹与《山海经》中西王母形象同出一源的结论,即:原始社会末期黄帝、尧舜与蚩尤和三苗部落联盟进行战争,三苗部落为获取更强大的力量,在自身图腾神上添加蚩尤部落图腾特征,形成部落复合神的形象,从而成为玉琮上的神人兽面纹。后因部落战争的失败,三苗部落被流放,部分西迁成为西戎,他们在神人兽面纹的基础上创造出西王母形象。此后神人兽面纹走向衰落,而与之同源的西王母形象却在我国的神话及民间传说中大放异彩。

英文摘要：Through the analysis of some materials of archaeology mythology and history documents,the author discusses the relationship between God’s mixed human and animal facial features and XiWangMu’s image,draws a new conclusion that these features have the same origin.because Huang King fought with the tribe alliance of Chi You and San Miao at the end of primitive society ,San Miao wanted to win this battle,it adhered to Chi You tribe for aquiring more strength,it added the figure of Chi You tribe’s deity to its own taboo.when San Miao was defeated,the tribe moved to the west called Xi Rong.So XiWangMui’s image came into being.After that,God with the animal face declined,but the legends of XiWangMu are widely spread.

[中文刊名]：西北民族研究 [出版日期]：2005-12-30 [CN]：62-1035/D [ISSN]：1001-5558

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