作者：贺志军;

机构：洛阳龙门石窟研究院;

中文关键词：龙门石窟;;地面雕刻图案;;北方少数民族

英文关键词：Longmen Grottoes;the floor carving pattern;the north minority nationality

中文摘要：龙门石窟的地面雕刻图案,根源于佛教净土信仰对天国世界神话场景的描摹。这种地面雕饰尚有现实生活居址场态移写状摹的审美意识包含在其中——魏唐石窟遗存中这一装饰样式的出现,实际上正是古代雕刻艺术家从建筑构成单元上对北方草原文明中穹庐居址的摹写。透过龙门洞窟地面雕刻图案的时代演革,人们可以感受到魏唐其间中原地区东西方民族融合的审美势态。

英文摘要：The floor carving pattern of Longmen Grottoes derives from the depiction of the heaven scene by Buddhism.Through the comprehensive analysis of the decorative subjects of Longmen Grottoes from archeological research,this paper believes that such floor carving decoration contains the aesthetic appreciation of real life scenes.The appearance of such decorative pattern in the caves of the Northern Wei and Tang Dynasties is the depiction of residence of the North grassland culture from the angel of the architecture by the ancient carving artists.So throughout the change of the floor carving pattern of Longmen Grottoes,people can feel the aesthetic appreciation of the fusion of the east and west nationality in the central area in the Northern Wei and Tang Dynasties.

[中文刊名]：河南科技大学学报(社会科学版) [出版日期]：2009-12-15 [CN]：41-1356/C [ISSN]：1672-3910

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