作者：刘清扬

机构：西华师范大学美术系 四川南充637002

中文关键词：款识;;题名;;边款

英文关键词：pattern and posy, epigraphy, the side calligraphy

中文摘要：附着在书画作品创作主体边缘对创作作者、创作时间、地点、创作所采用的艺术手法以及书画家对于书画艺术创作的独立思考一类介绍性文字我们通常称之为书画艺术作品的边款。广义的边款还应包括书画家的用印在内。中国书画作品的边款是对三代时期金属器物铭刻处理形式的借鉴,边款的起源与早期人物画创作中的题名与造像碑中的造像题记息息相关。边款的形成是一个长期的过程,他与篆刻艺术的发展,文人的参与密不可分。中国书画作品的边款不仅是创作作者的介绍,同时具有补白、平衡画面、深化作品创作意境的作用,也是文人书画艺术家抒发志趣、抱负、人生理想,展示诗文才华的重要场所。

英文摘要：The side calligraphy locates the edge of the artistic object expressing in Chinese painting and calligraphy. It's including the author's epigraphy and words that introduce the author himself, time,place and art skill of creation, the words induding the individual's thoughts, too. The side calligraphy is a reference from the pattern and posy's skill of ironware in the dynasties of XIA、SHANG and ZHOU.It originats from the records of the earlier periods, person_drawings and the stone tablets. In the long time,it's related with the development of the seal cutting and the contribution of the intelligentsia. Moreover, it has the function of introducing and equivalizing the works, and deepening the artistic conception. At the same time, the side calligraphy expresses author's delight,ambition and life ideal.

[中文刊名]：西华师范大学学报(哲学社会科学版) [出版日期]：2003-09-30 [CN]：51-1340/C [ISSN]：1005-1465

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